Paratext #72 with Jasmin Schädler, Kai Krämer, Laura Van Severen, Vicente Vázquez and Yuchi Hsiao
This name, Paratext, hides a monthly program of performances by artists in residence at Hangar as well as artists on exchange grants. They present, in different formats, specific projects or parts of their work. The sessions are always open to the public with the purpose of enabling interaction with the artists themselves. The next Paratext session will take place on Wednesday, October 25th at 7 p.m. in Hangar’s Sala Ricson. Free entrance. https://hangar.org/en/paratext/paratext-72/ 活動資訊
0471為臺灣少數專攻特技肢體劇場團隊,2021年新作《流逝指縫間》首次與視覺藝術家蕭禹琦共同創作,讓演出空間不再只是曇花一現的虛構環境,而是能夠讓觀眾身歷其境的展場。 試圖讓特技演員不再是只為完成高難度技巧的表演工具,而是透過特技肢體做為媒介,帶領觀眾進入《流逝指縫間》裡,從裝置藝術到肢體演出,傳達出情緒及人與人之間的關係,拉近藝術家與觀者間的連結。 展場免費開放時間(開放時間自由入場) 2021/12/08(三)至2021/12/19(日)(週一、二休息) 週三至五14:00-18:30 週六、日16:00-18:30 動態演出時間 (一人一票購票入場) 2021/12/08(三)至2021/12/19(日) 週三~日19:00-20:00(六、日增加下午場次14:30-15:30) 策展理念 當面對無法掌握的時間,我們該如何選擇?假如最終的結果都將是流逝,我們是否能暫緩這之間的過程,抑或是延續它曾存在過的感受。 《流逝指縫間》試圖將無形的時間模擬具現化,使時間的流逝存在於視覺當中,闡述對於時間的想像,藝術家將透過各自的創作,來回應自身如何面對「流逝」的結果,展覽空間無時無刻都變動著,無法掌握、控制,只能選擇該如何接受。 參展作品介紹 蕭禹琦丨思緒蔓延II 透過漫長時間將布料切割再重組,時間上的消耗隱身於作品之後,而思緒持續綿延,順著展場空間蔓延堆積,配合著現場液體流動,地上承載著失去的重量,而裝置也會隨著浸濕的時間長短慢慢改變。 孫正學丨流逝指縫間(同名創作) 此作品透過雙人肢體的動態演出,傳達對於時間無法掌控的想像,生命如何在有限的時間內遺留下點什麼? 創作中由於液體的介入重新定義了雙人的關係,表演者嘗試在充滿嬰兒油的接觸中探索掌控及放下間的平衡,在牽絲的狀態下使彼此的連結產生痕跡。 當面對每一次的抉擇都將引發重新思考,為何明知道終將會結束卻又選擇開始? 製作團隊 策展人:孫正學 合作藝術家:蕭禹琦 創作陪伴:陳詣芩 動態演出創作:孫正學 動態演出者:孫正學、王育羚 排練助理:夏鈴 音樂設計暨現場演出:劉子齊 x 盛涵 燈光設計:簡芳瑜 展場裝置設計:蘇耕立 展場裝置設計助理:秦顗絜 現場紀錄:羅能華 影像拍攝:何肇昇 平面設計:楊程皓 藝術行政:陳盈孜 2021.10.15 (fri) - 11.14 (sun) 9:30 - 16:00 Open everyday
Website: https://nakanojo-biennale.com/artist/yuchi-hsiaonakanojo-biennale.com/artist/yuchi-hsiao Online Exhibition: https://nakanojo-biennale.com/2021/artist_channel/yuchi-hsiao/ About exhibition
“Rolling, Flowing, Climbing” is the title of project, also the dynamics of thoughts,emotions, and perceptions in Yuchi Hsiao’s work. Throughout the exhibition, these three actions commence and process the visitor’s perception among the relationships of artwork and space, body and sight, oneself(viewer) and otherness(artist). From early performance video until latest solo exhibition “Dear Flowing”, Yuchi Hsiao’s creation focuses on the relationship between oneself and the surrounding. Her recent works were initialed from where she spent most of time during creation, also where her thoughts often revolve, the room. The artwork ‘Extend Over’ presents memories, stories and emotions through a knitting installation from used clothes. In parallel, her videography work conveys the flow of inner thoughts and emotions. The exhibition takes place in thatalright art space which converted from a former residential space. Started with the video ‘Duvet Landscape’, it is artist’s practice of everyday sculpture. Yuchi Hsiao’s works are presented from “the room” to “outside of the room”, also shift to daily life scenario. When viewers see through the window of the video, their inner thoughts will also project to their sense of the physical surrounding. The work aims to not only transmit from the inside to the outside of the physical space, but also from the concept to the reality of the conscious space. Yuchi Hsiao’s work extends one’s perception like the path of making a snowball. It starts with thoughts of oneself, organize the pause of thinking with creation, finally represents the human behavior through her works. 「Rolling, Flowing, Climbing 滾動,流動,攀爬」,除了是蕭禹琦作品中思緒、情感、感知的三種動態,也透過三種「動」作,推移觀眾在:作品與空間、身體與視線、自身(觀者)與他者(藝術家)的感知。蕭禹琦的創作長期思考周遭與自身的關係。從試探這個社會與觀者之間的行為影像,到2019年個展「親愛的,流動」,作品以思緒最常凝結和創作時最常待的地方-房間出發,以舊衣物編織呈現記憶、回憶和情緒,同時以行為影像內心呈現思緒的流動。2020年個展由「房間」到「房間外」,再走向房間外的日常環境。從日常的棉被山景開始,由室內向外望,思緒從內部投射到外面景象,不僅是實體空間的由內而外,也是意識空間的從概念到現實。蕭禹琦的影像將感知如滾雪球般向外開展,從個人自身的思緒出發,以作品梳理思緒的頓點,透過作品反映人類的行為樣貌。 Opening:8/7 19:00 During:8/7~8/30 親愛的流動
Dear Flowing 從自己最常待的「房間」作為開端,呈現最私密的情感表現,用舊衣物編織帶出內心的情緒流動,透過被使用過的衣物呈現記憶、回憶和思緒,而意識經由行為錄像將思緒拉到遠方,由「房間」,再走向「房間外」的生活空間。從自身出發,對於自身的概念就是在一個房間裡樣貌、思緒的想像,探索內在最私密的房間內,內心的思緒流動,以這個為創作源頭,下一步則是走出去的過程。 Starting from the "room" that spends most often, the most intimate emotional expression is presented, using old clothes to weave the inner emotional flow, memories, and thoughts. And the consciousness is evoked through the behavioral media, pulling into the distance from the "room" to "outside the room" common space. Starting from oneself, the concept of oneself from the appearance of a room, explore the innermost private room, flow of inner thoughts, are used as the source of creation, and the next phase is the process of going out. during 8/17~9/21 opening 8/17 14:00 不在場行為
Open studio Exhibitiom 2015.10/25-11/01 林佳文 Lin Chia-Wen 柯鈞耀 Ko Chun-Yao 蕭禹琦 Hsiao Yu-Chi Maria Elinardottir 駁二藝術家駐村 倉庫 C9-5 Article here |